The Nanobama story made the big time a couple of weeks ago, but I failed to do justice to the University of Michigan's John Hart, who brought us this politically well-timed piece of nanotube sculpture. (Just as an aside, I wonder whether the EPA under Obama will decide whether carbon nanotubes are toxic?)
Aside from his page devoted to his little president-elects, you should also check out nanobliss, where he highlights more of his work, including the carbon-nanotube scramble you see above.
Those tubes, by the way, are said to be self-organized. If so, then they have much in common with the way I seem to organize my own life. Nanotubes: Me, you, same.
Hart writes:
The visualizations and the underlying fabrication techniques are new media for art, science, and architecture; and for promoting popular awareness and education about nanomaterials and related technologies. Forms under development include museum/gallery exhibitions and laboratory experiments, and advertising and informational pieces in scientific and popular literature. More here
"I studied nanotechnology in
school and got my enormous Bohr atom during that time," writes the guy
above left in a blog post on The Loom called Branded
with Science. This image popped up during a routine nanotech
search, which brought me to what is apparently a trend among those
whose relationship with science goes more than skin deep. You can view
a gallery of science
tattoos here and also over
here.
Most inventors see nanotubes as microscopic building blocks, but others are exploring their ability to glow under light. Researchers at Vanderbilt University have studied new crops of nanotubes that brilliantly fluoresce—a technology that could be useful in treating cancer and other medical conditions. More here
When people call Felice Frankel an artist, she winces.
In the first place, the photographs she makes don’t sell. She knows this, she says, because after she received a Guggenheim grant in 1995, she started taking her work to galleries. “Nobody wanted to bother looking,” she said.
In the second place, her images are not full of emotion or ideology or any other kind of message. As she says, “My stuff is about phenomena.”
Phenomena like magnetism or the behavior of water molecules or how colonies of bacteria grow — phenomena of nature. “So I don’t call it art,” Ms. Frankel said. “When it’s art, it’s more about the creator, not necessarily the concept in the image.”
As first an artist in residence and now a research scientist at M.I.T., and now also a senior research fellow at the Institute for Innovative Computing at Harvard, she helps researchers use cameras, microscopes and other tools to display the beauty of science. More here
A salad dressing-like mixture of water, a bit of oil and a sugar-like molecule can safely clean ancient frescoes, according to a new nanotechnology research.
Scientists at the University of Florence, Italy, have discovered that the oil-in-water microemulsion — basically tiny droplets of oil suspended in water — can penetrate a painting’s pores and scrub away grime and acrylic resins.
The potion has proven particularly effective in cleaning frescoes that had been coated in thick layers of paraloid, an acrylic copolymer widely used by conservators in the 1960s. More here
I am not the artist of the family. That's my wife's department (She works at the Detroit Institute of Arts). So, I'm probably not qualified to spot an art "trend." But, as all the real scientists and engineers who read this blog know, lack of qualifications has never stopped me from openly expressing an opinion before, so why stop now?
Trend or not, there has been some recent news involving nanotech and art. The picture above comes from Jessica Burns, a junior at Central Columbia High School in Pennsylvania, who took first place in a Nanotechnology Digital Art Contest sponsored by Clarion University, where students can minor in nanotechnology. Jessica's piece is called "Up, Up, and Away with Nanotechnology," in keeping with the contest's nanotech-and-the-environment theme.
And my old friend and former Small Times correspondent Jack Mason continues his passion for science and art with a partnership with the Insight Art Connection. You can view and purchase his celebration of the tiny over here. The piece pictured here is called "Nano Under Glass."
NanoArt blogger Cris Orfescu tells us about art that, unlike much of my writing, is Finnish-ed. (That was supposed to be a joke. Never mind).
The 1st International Festival of NANOART - Finland 2007 (from Cris Orfescu's NanoArt blog)
The 1st International Festival of NanoArt will be hosted by the Kotkan Valokuvakeskus Gallery in Kotka, Finland between May 4 and May 31, 2007. The show is curated by Cris Orfescu (USA) and Timo Mahonen (Finland). ...
NanoArt is a new art discipline related to micro/nanosculptures created by artists/scientists through chemical/physical processes and visualized with powerful research tools like Scanning Electron Microscope or Atomic Force Microscope. The monochromatic microscope images are processed further to create pieces of art that can be showcased for large audiences to educate the public with creative images that are appealing and acceptable. To read more about NanoArt and Nanotechnology please visit http://www.nanoart21.org/.
Small wonder Nanotechnology
Nanotechnology - which deals with the minutest of technological scales - has a big role in new exhibit -- Inland Valley (Calif.) Daily Bulletin
Shouting their presence in loud shades of red, blue and yellow, artist and scientist Cris Orfescu's images look first like abstract pieces. The colorful curves, angular lines and sudden bursts that command the canvases appear to be the fantastical expression of the artist's whim and creative taste.
Then familiar objects begin to appear in the abstract renderings. One resembles a falling leaf; another could be a bird of paradise.
That exploratory process is what Orfescu hopes viewers experience when they look at his work on display this month in a two-man show at La Casa Decor Interiors in Los Angeles.
That way, when he explains that the images are actually what he calls "nanoart," showing colored images of such impossibly tiny objects as dust and dirt particles, he hopes onlookers will have a greater connection with nanotechnology.
"The whole idea behind this is I want people to understand a little bit more about nanotechnology," Orfescu said. "I'm trying to make a parallel with the macro world --- the one we see with the naked eye." More here
"In this new work, my ambition is to write an epic poem made of songs, images, and stories that relate in new ways; my plan is to invent a language that will explore the contemporary meanings of freedom and
time."
"Research for this piece involves a lot of travel as well as my work with NASA where, as artist-in-residence, I am looking at nanotechnology and imaging."
"My dream is to make a work that will focus on spirituality and
consumerism, a work that will attempt to be a true portrait of this
country at the beginning of our century." More here
Ladies, germs and mad scientists, I give you
ubercorrespondent and guest NanoBot blogger Jack
Mason:
As a journalist, I've found nanotechnology an absorbing beat:
fast-moving, thought-provoking and wide-ranging.
I never expected it to be an artistic inspiration. I've long
marveled at some of the images of structures and materials made at the
molecular level, strange and beautiful vistas smaller than the
wavelengths of light visible only with tools that can sense or feel
their actuality.
Six months ago, my fascination with those scenes of the unseeable
lead me to start playing with some of the nanoscopic pictures I'd come
across in the small tech world. From the start I tried to imitate how
some of the nanoscientists I cover work: I blended and morphed pixels
from multiple images much the way they are cajoling different atoms to
form novel structures and patterns.
My metaphorical methods extended to digital techniques of self-assembly
and layering. Where nanoscale researchers apply physics, chemistry and
clever engineering to synthesize new materials, I employed software and
the wetware of human visual intuition.
Last Friday, I picked up the first finished effort of the art
project I've dubbed NanoTechno from Silicon Gallery Fine Art Prints, a
shop in the Old City section of Philadelphia. The 3' by 4' image mixes
a variety of images with a little digital manipulation to evoke, at
least for me, the wonder of the nanoscale.
While the artistic merits of these experiments are as yet unproven,
what's really interesting is that the printing technology used to make
the digital physical is intriguingly small tech.
As Silicon Fine Arts' proprietor Rick Coyte explained, his $80,000
Iris 3047 printer uses an array of ultrafine inkjets that sprays
droplets of special ink about the size of red blood cells. A
piezoelectric crystal deposits about four million ink droplets per
second to create an image with an apparent resolution of 1800 dpi. The
result is so rich and smooth, that museums frequently make
reproductions of invaluable paintings with the process. (see http://www.fineartprint.com/iris.htm
for details).
Now that my process is public, I want to take my nano-mimetic motif a
step further and make this project a multidisciplinary collaboration.
First, that means reaching out to the nanoworld for high-resolution
images of small tech devices, materials and structures, the raw
materials for artistic amalgamation. And second, I'm calling out all
around the Web to other artists interested in collaborating and
extending NanoTechno into new forms and media.